Sunday, October 25, 2009

Lil' Buckaroos

Kids have been playing "Cowboys & Indians" almost since the opening of the American frontier began. By the 1870s sensational (and mostly fictitious) accounts of the exploits of Buffalo Bill, Wild Bill Hickok and others were available in the so called "Dime Novels" of the day. These luridly illustrated paperbacks were published to appeal to young boys and appeal they did. Many of the legends of the Old West, some persisting to this day, originated in these cheap books that were often written by Easterners who'd never even been West.


By the turn of the century the newly invented medium of the cinema was showing dramas that depicted Western story lines. One of the first and perhaps the most famous was "The Great Train Robbery". Seeing the life and death struggles of cowboys, indians, outlaws and lawmen played out on the screen only encouraged youngsters to imitate the scenes in their play. Almost every boy participated and soon many girls too.

In the picture above, which dates from the early 20th century, a couple of boys act out a gunfight scenario in what looks to be an actual Western location. How lucky are they?

By the late 40's, early '50s a would be cowboy could buy just about everything he needed for a complete outfit. This kid is hardcore, camping out in backyard!


This fortunate little fella has two guns, just like the silver screen heroes seen in the Saturday matinee. Looks like he knows what to do with them too!

This cute little cowgirl has a complete outfit -- including the ever present cap gun.



And perhaps the luckiest kid of all, though indeed, he my be a little too young to appreciate it. The handsome pony is splendidly fitted out in the best manner, complete with a Winchester rifle that is so realistic that it's hard to tell if is real or a toy. The animal and his tack are far superior to that offered by the door to door photographers found wandering neighborhoods enticing kids and their parents to buy pictures of the little buckaroo atop the pony. I have a feeling the pony is a gift from an adoring relative or family friend.

Kid's games of "Cowboys & Indians" probably reached its high point in the 1950's. After that other interests, like science fiction and eventually video games, began to push interest in the Old West and its characters aside. Today Western movies occasionally capture significant box-office interest but it is mainly driven by adults, in most cases those same kids seen in these pictures -- now grown up and nostalgic for an earlier time.

But it was fun while it lasted!

Saturday, October 24, 2009

Cap Gun Wars

In the late 1950s, when television Westerns were at the height of their popularity and just about every kid wanted to be a cowboy, there were two cap pistols that stood at the top of every kid's wish list. These were the Fanner 50 made by Mattel and the Stallion 45, a product of the Nichols Company of Pasadena, Texas. Both were fine weapons (well, alright "toys") that actually chambered metallic replicas of real cartridges. Individual caps could be placed inside each cartridge to produce a "bang" and a little smoke. And in the case of the Fanner 50 "shootin' shell" feature, plastic bullets could be seated in the cartridge to produce an effective range of, oh, several feet. Pretty neat stuff or, as Mattel's commercials repeatedly told us, "if it's Mattel, it's swell!"

Another of Mattel's claims was that the Fanner 50 was "the most authentic cap pistol in the world". I would dispute that assertion and did in fact choose to arm myself with the Stallion 45. I was not too concerned with the fanning function as my research of history had revealed that this technique was seldom employed in the Old West. As for caps that went "pop", I had my favorite vocal indication of a gun shot and that would suffice. I also knew that, though I may have received the gun as a gift, no one was going to replenish my supply of caps. And I couldn't afford to do so myself. So the whizz-bang (and very saleable) features of the two revolvers were mostly lost on me.

For nearly as long as I'd been interested in Cowboys and Indians (a popular term at the time) I'd been fascinated by and sought to learn more about what the times were really like. Even at this early age I recognized that much of what I saw on TV and in the movies was a fraud. Of course my attention to and concern with detail went largely unappreciated among my playmates. My insistence on authentic details and elaborate set ups to our scenarios was often greeted with impatience as they sought to get on with the shootin'. I could be kind of a pain in the butt.



So authenticity was my most important consideration. I had several gun books (a subject covered in a previous post) and I very well knew what a Colt Peacemaker looked like. Take a look at the photo above. The gun at top is an original Colt .45 caliber Peacemaker with original elephant ivory grips. The gun below is a Nichols Stallion 45. How much more authentic can you get in a pot metal cap gun? It's obvious that the patterns for the casting molds of the Stallion were made from an original Colt. The handle is the same size as the real deal (which may have been a problem for younger buckaroos). The original Peacemaker was a single action, meaning the hammer had to be fully cocked before the trigger would discharge the piece. The Stallion 45 (and the Fanner 50) are double action, meaning that pulling the trigger cocks and discharges the weapon. For this reason the Stallion 45 has a slightly larger trigger guard. The Colt offered standard barrel lengths of 7.5" (shown here), 5.5" and 4.75". The Stallion struck an easy handling compromise at 6.5". The Stallion 45 included cartridges that load into the cylinder in exactly the same way as the Colt. It's a beautiful piece and I think I chose well.

For comparison here are a couple Fanner 50s. The deviations from the actual Colt revolver are fairly obvious. The cylinder is shorter and the area behind the cylinder (called the recoil shield) is longer. The trigger guard is much larger and elongated to accommodate the double action trigger. The hammer spur is wider, presumably to facilitate the "fanning" function. The overall size of the Fanner 50 seems slightly scaled down from the original Colt Peacemaker. These differences aren't necessarily bad, they're just differences. Having never owned one I cannot speak to the function and reliability of the Fanner 50. I can say that 50 years on my Stallion 45 no longer indexes it's cylinder properly and the loading gate does not stay closed. It's to be expected that hard play has taken its toll on most toys and these cap pistols are no exception.

The Fanner 50 seems to have been the more popular with the junior cowboy set. Mattel apparently had a huge advertising budget and their entire line of toys was represented by skillfully crafted commercials that would be nearly irresistible to kids. Prices for collectible Fanner 50s range from $100 to $500, depending on condition and accessories (like holster and original packaging) that might accompany the gun. The Stallion 45 seems to command a little more, probably because fewer were produced. Going into the late '60s interest in the Old West waned and production of most of the top of the line cap pistols gradually dried up. Western style toy guns are still available today (with, of course, the red tipped barrel to distinguish them from real guns) but seem rather uninspiring compared to those from the halcyon years of the TV horse opera.

All things considered, I don't think there's any doubt that the Stallion 45 was in actuality "the most authentic cap pistol in the world.

The Fanner 50




In the late 1950s television featured many popular shows set in the Old West -- or at least the script writer's conception of it. They were wildly popular with kids and adults alike and amounted to some of the most important programing aired by the networks. Naturally, a variety of cowboy/gunfighter/lawman merchandise would come to be offered, particularly to the younger audience interested in reenacting the exploits of their heroes of the silver screen. Cap pistols (and long arms) had been around since the previous century but a more sophisticated audience now demanded toy arms that more convincingly replicated the characteristics of real guns. As the design and function of cap guns reached its zenith during this period the Mattel toy company offered the Fanner 50. The commercial above was designed to illustrate their products and at the same time convince every kid that they had to have one.

The Fanner 50 was an excellent cap gun. Originally designed for repeated fire using a roll of caps, the later model utilized individual cartridges that each incorporated a single cap. It loaded the cylinder's chambers with cartridges just like the real revolver and actually fired a plastic projectile while producing a small puff of smoke! The realism was nothing short of remarkable and the fabulous marketing campaign put forward by Mattel made it probably the most desired toy six shooter available. A lot were sold.

In another post I've noted my objections to the Fanner 50 as compared to the Stallion 45 but there's something very interesting in the commercial clip that indicates Mattel my have tried a bit of slight of hand to disguise these deficiencies. Play the video, pausing the action at :04, :11, and :36. Compare the profile of the pistol with the picture of a Fanner 50 at the top of this post. It's not the same gun! Apparently an early prototype or even a real Colt Peacemaker was used in the filming of the commercial. In actual fact, the Fanner 50 loads from the opposite side rather than the gate (clearly seen at :11) shown in the commercial, which is identical to that of the real Colt -- and the Stallion 45. Apparently "truth in advertising" was taken rather casually in this slick and very appealing ad. So, though it may be "swell", the Fanner 50 is hardly -- as the commercial claims -- "the most authentic cap pistol in the world". For my money, that title goes to the Stallion 45.

Tuesday, October 13, 2009

Stupid Truck Tricks


The world of custom cars knows little of phrase "less is more". In fact, builders frequently seem to subscribe to the notion that "if some is good, some more must be better". What we see here are the classic custom body techniques of chopping, channeling and sectioning taken to the extreme. Chopping is the removal of a portion of the top that effectively reduces the height of the top by whatever amount is removed. Sectioning uses the same principal to remove a vertical portion of the body itself to further lower the silhouette of the vehicle. Channelling involves removing the entire body structure and remounting it at a lower position relative to the frame. The object of these modifications is to lower the overall height of the vehicle. But few problems quickly become obvious. First, there must be room inside for the driver and passengers. And, as seen here, the engine no longer will fit under the hood nor the wheels within the fenders. The builder of this Datsun pickup truck has addressed these problems by simply cutting away metal that would interfere with these items. In addition, this vehicle uses an air bag suspension that allows the much modified truck to sit on the ground. The result is an outrageously low custom mini truck!


The minimalist silhouette is obvious, as is the the original engine which is mounted in the stock location. Also note the tires protruding from what would be the tops of the fenders.

Yes, you know it's low when a kid has to kneel to look into the cab!


And in case you're wondering if it can get any more ridiculous, here's proof that it can. A chopped, channeled and sectioned model A Ford sedan. Obviously the driver is barely able to see the back of the radiator, let alone what's in front of it!

Friday, October 2, 2009

Castles


Everyone loves a castle. This is Eilean Donan in Scotland, one of the most photographed castles in the world. And rightly so. Castles evoke memories of the knights and kings living there hundreds of years ago and we pretty much accept them as historical remnants of that past. But the fact is that most of castles we see today have been rebuilt (and often restyled) during a much more contemporary time frame to conform to the romantic visions of a time far removed from that of the original occupants.
By definition most castles are also a forts and over hundreds of years they have been used -- and abused -- as such. So the rebuilding, sometimes multiple times, has been an ongoing process and it becomes difficult to sort out the actual original plan. So some degree of historical license is justified in the restoration process. Eilean Donan is case in point. By the early years of the 20th century it had been in ruins for almost 200 years. Over a period of 20 years it was rebuilt into its present configuration. Though the original inhabitants might not recognise it now it is certainly a lovely interpretation of times long past.